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Showing posts with label great writing. Show all posts
Showing posts with label great writing. Show all posts

Thursday, 14 October 2010

My Secrets*

I was randomly browsing through the worldwideweb today, and stumbled upon this brilliant, brilliant essay, written by I think, a student from Yale: Lydia Martin. Her prose is unlike most of what I've ever come across. And right now, I'd kill to be able to write like her. She captures so beautifully what is in my heart.

So because I happen to be a graduate of law, and I don't want no copyrights claim coming at me, please note my disclaimer of what I will be quoting below. It is fully the work of Lydia Martin, including the starred title of this blogpost, and fully, all credits go to her.

Below I quote several parts of her essay that I love the most. I hope it will inspire anyone reading, like it did me. Read this while listening to Ben Jorgensen's 'Only Just a Memory'. Perfection has never felt so close to me.

"My Secrets"
"I walk off the subway. Cars, people, ambitions charge by. City thrashes without hesitation or apology. No stillness. No pause. People do not see where they are.
...

Just one second and the door closes. Eyes and ears shut. I am alone again. City melts, and questions quietly float away....With silence around, I can breathe again.

...
I flip the pages of her essay. She may pretend it is not linear, but there are still lines to be read.
...

I live only in me, and am surprised that others cannot see inside. Face wiped clean. Sweaters oversized. Everyone else tan and skin-tight. ...Our barriers are more real to me than our connections....I do not value your gossip....I refuse to play the game, and so cannot mind that you pick me last.
...
...I beam from everywhere. The happiness is shared, created by two. Smiles can now be spoken. They burst out. Forget stillness. I want to dance.

Knowledge and work and people who think like me. We were not the most popular, the most beautiful, the most likely to win. We lived inside, working to create the people we wanted to be. Against the bidding of others. And we survived.
...
Scents in my nose, swinging emotions in my gut. Lost on your ears.

A story is told as much by silence and by speech.

...
You and I are disparate. Our thoughts disagree....Even facts are false, filtered by the minds and mouths of informants.
...
Like the concentration camps he commands, in many ways he remains absent to himself.

...
I cannot be tied to others' happiness. I coil away to protect both of us. Before taught me to be on my own, and now is letting my enjoy it.
...
Maybe I am a complex web of confusion, in need of a storyteller who can figure me out.
...
But this diminishes reality. ...sewing together fragments, forgetting that the spaces between the pieces are more important than the rest.
...
Griffin, do not sew me together to create a sensible figure, worthy of understanding. You cannot capture me and keep me whole. You cannot make me frown and then tell me to smile. You cannot demand my secrets and then fill in the holes with your own. I am neither linear nor explicable.
...

Like the white spaces in an etching, such silences render form. But unlike an etching in which the whole is grasped at once the silence of a story must be understood over time.

I am a woman on the desert island, deciding to stay in the sand. I am Himmler keeping my secrets inside. I am Griffin begging for them to be heard. I am neither of them and none of you. If you were to tell my story, you would get it wrong. Don't classify my actions, nor interpret my notes. Life is known only from the inside.

No, I cannot share my secrets." - Lydia Martin, English 114: Writing Seminars 1

Sunday, 26 September 2010

Lies

"But it's too hard. I lied when I said it was okay. It's not. I can't stand the thought of you being with her. I hate hearing about you kissing her."
- "It's All Relative" by Cupid Psyche.

Wednesday, 4 August 2010

Happy Endings

Paige didn't answer nor could she look at him. His words sounded so good, but it wasn't enough. He didn't lie to her with false promises, but he didn't give her that guarantee she needed but knew didn't exist.

Feeling the distance between them, Wyatt slowly felt himself losing grip on his hope for things to work out between them. The more he saw Paige running from him, the more he felt he couldn't keep running after her. Love wasn't about one side constantly fighting for the other. She had to be able to risk it for him too.

------

It wasn't until three nights ago Paige was able to corner him in a club where the boys' were throwing a birthday party for one of their girlfriends. Paige saw Wyatt going to the restroom and she quickly followed him, staking out by the door until he came out.

When he did, Wyatt eyes widened, but his expression quickly turned dark and he tried to excuse himself. Paige grabbed his arm and he stopped.

"Wyatt, how long are we going to be like this?"

Wyatt turned around and Paige couldn't help but take a step back from him. He looked so closed off from her, so devoid of emotion and of any recognition of her.

"Like what?" He asked simply as if not knowing what she meant. But she could tell by the tense way he stood that he was working hard to stay in control and calm.

"When can we be friends again?" Paige asked him. Yet, the moment she asked the question, she already knew his answer.

For a few seconds, the stoic façade crumbled and Wyatt allowed his frustration to show. His shoulders slumped for that moment before quickly straightening again.

"When I can finally learn to love you without being in love with you."

And then he walked away, leaving Paige to feel as if he was leaving her for good.

-----

Paige began to walk down the room, glancing at the pictures, remembering each moment when Wyatt gave them for her. As everybody else took their time to read the description and examine the pictures, Paige kept walking. She knew everything by heart, each speech Wyatt gave her about why the picture was important. Even without reading the brochure, she knew… No, within her, she felt what it was he was trying to say.

Happy endings.

The exhibit was arranged in which the photographs and wall spiraled to end in the middle. Paige must have gone through the exhibit quickly because suddenly she was at the end, with no one around her. The middle of the room had one wall and was closed in by white screens that were filled with flowers and vines. Before the photograph was a little white block that served as a bench.

Paige took in the screens, the flowers, and the bench before lifting her eyes to meet the photograph. When her eyes finally saw the last photograph, Paige took a deep breath and held it.

It was their picture, the one he forced her to take so long ago. They were on her couch. Wyatt's cheek was against her head, grinning happily with Paige smiling as well, despite showing hints of irritation. You could tell from the picture Wyatt was taking the picture of them.

It was a moment, just a moment between the two of them. But it was just the two of them, together.

Paige didn't realize it, but she was silently sobbing. Her hand reached out to touch their photograph, and despite how her vision was blurring, she could read the little inscription below the photograph.

My Happy Ending.

"So what do you think?" A voice came from behind her.

Paige turned around, and there was Wyatt, dressed in a dark pants and a white dress shirt. His hair looked as if he was running his fingers through it a few too many times. His lips tilted up on one side, and he gave her his signature smirk.

"I love it," Paige whispered. I love you.

Wyatt didn't say anything else, not asking about her appearance, about her tears, or why she was even there. He just stood there, not closing the small distance between them, and waited. Paige knew that it was up to her to take the step…

So she did. She took a step towards him and said, "I'm an idiot. I realized just how much of an idiot I was today."

Another step. All her thoughts became jumbled and the words kept pouring out of her mouth.

"All my life, all I could see was the bad. I could only see the ugly when it came to love and I just believed that being with people only caused heartache and it wasn't worth it. So I stayed alone."

One step. Two step.

"But then I met you. And you made the ugly bearable," Paige said. She felt herself beginning to smile. "And suddenly I didn't see just the ugly. I saw the good. I saw the laughs, the fun, the friendship… The love."

She took one more step and then she was before him. Wyatt stood still, watching her intently. He made no move to touch her and Paige didn't as well.

"I didn't believe that love could last," Paige whispered. "I didn't want to risk it because I didn't want to lose you. Because, Wyatt, you're not worth losing."

Slowly she raised her hand that held the picture she took and showed him the picture of the elderly man and woman holding hands as they walked down a path.

"But then I saw them," Paige continued. "And I just knew… I want this. I want the chance to hold your hand when we're old, to help you up a path, and to forever walk with you wherever you want to go so you can take whatever pictures you want to take. Because as much as I'm afraid to lose you Wyatt… The chance to have this happy ending with you… It's worth the risk."

The smile on Wyatt's face was slowly widening with teach word she said. He glanced at her then at the picture then at her again. Slowly, his hand reached up and cupped her face. His thumb wiped away a falling tear and Wyatt leaned in. With his lips only a breath away from hers, he whispered, "There's still no guarantee for us you know."

Paige nodded, her eyes dropping to his lips. "I know," she answered, looking up into his eyes. "But I think we got a good chance… Because, believe it or not, I really love you, flaws and all."

"Ditto," Wyatt whispered back before finally leaning in and kissing her.

And so there they stood before their picture, ignoring the slow trickle of people coming in to look at the end of the exhibit, only caring that somehow, they got to that moment.

She would always be the girl with her fears and he would always be the boy who was the optimist. And despite having the odds against them, they just had to look at their picture and believe that they'll get their happy ending…

Because, in the end, you just have to have faith.


***
excerpts from "Happy Endings" by jennycraig10

Truly one of the best fucking one-shots I've had the pleasure of reading in a long time. A million kudos to Jenny.

Friday, 2 July 2010

Quotes of the Day from Superstars under 30

"Pay attention to serendipity. I'm convinced that what seems to be accidental, coincidental, or unplanned really isn't."
- Rebecca Kousky

"Do your homework, and then commit to your venture and begin to execute. If you aren't fully committed, you will quickly find a reason to fail or never actually start."
- Morgan Newman

"Stone cold, iron-willed determination. It's going to be long hours and a lot of hard work, but if you have confidence in your product, you will succeed."
- Aaron Patzer

"Stop just thinking about it and make it happen. The worst that can happen if you fail now is that you'll have firsthand experience to make your next venture a success."
- Catherine Cook


We should all benefit by taking a leaf out of each of their books.

Sunday, 13 June 2010

These things I'll Never Say

So close to midnight
Under the streetlights
Leaving behind what I don`t need

I`ve walked like a blind man
And my eyes are open
And you are the only place for me

Won't you hold on just for a while
Please don`t give up on me tonight

Coz I`m on my way
I chased the day
Yeah I`ll keep running all night

I just won't rest to catch my breath
I will run every red light

To get to you
No I will, get to you
No I will, get to you

I`ll chase past the tail lights

Head for the skyline

Hoping that, that won't change your faith

I see them appearing
The cracks in the pavement
Running I pray I`m not too late

Won't you hold on just for a while
Please
Please don`t give up on me tonight

Coz I`m on my way
I`ll chase the day
Yeah I`ll keep running all night

I just won't rest to catch my breath
I will run every red light

To get to you
No I will get to you
No I will get to you
I will

I`ll get to you
Just hold on a little longer
I`ll get to you
Oh just don`t give up on me
I will get to
I will get to you

Coz I`m on my way
I chased the day
Yeah I`ll keep running all night.

*** full credits to James Morrison.

***title credits to Avril Lavigne.

Lyrical Lies

An old man gave me a tip he said
"Don't waste your time with politics" he said
"Just chase skirts instead"
"Life is too short, and you're almost dead" he said
"I met a woman once, I gave her my best shot"
"But never did I talk and talk and talk"
"If I had her back, I'd be as real as my age"
"I so don't blame them, I wouldn't do the same"
"But I can blame them, I'd sing her this"

And you want to be dressed in poetry
But imagery doesn't fit
And you want resizing
But darling dear get a grip

And I think what I just wrote is going over my head
I'm stealing lines from myself
And what I said was never said
It's just a lyrical lie
Made up in my mind

And you want to be dressed in poetry
But imagery doesn't fit
And you want resizing
But darling dear get a grip

You're moving but not aware
You're drowsy without a care
Except keeping your whites behind your lids
And your lids are your best canvas
I can only imagine what you're painting, what you're painting
And your body on my mattress is proof
And your makeup on my pillow is proof
But do you think I am telling you the truth

It's just a lyrical lie
Made up in my mind

And you want to be dressed in poetry
But imagery doesn't fit
And you want resizing
But darling dear get a grip

And you want to be dressed in poetry
But imagery doesn't fit
And you want resizing
But darling dear get a grip

***full credits to Cute is What We Aim For.

Here is Gone

You and I got something
But it's all and then it's nothing to me
...
And I got my defenses
When it comes to your intentions for me
...
And we wake up in the breakdown
Of the things we never thought we could be
...

I'm not the one who broke you
I'm not the one you should fear
We've got to move you darling
I thought I lost you somewhere
But you were never really ever there at all...

And I want to get free
Talk to me
I can feel you falling
And I wanted to be
All you need
Somehow here is gone

I am no solution
To the sound of this pollution in me
...
And I was not the answer so forget you ever thought it was me
...

I'm not the one who broke you
I'm not the one you should fear
We've got to move you darling
I thought I lost you somewhere
But you were never really ever there at all

And I want to get free
Talk to me
I can feel you falling
And I won't tempt to be
All you need
Somehow here is gone

And I don't need a fall out
Of all the past that's here between us
And I'm not holding on
And all your lies weren't enough to keep me here

And I want to get free
Talk to me
I can feel you falling
And I wanted to be
All you need
Somehow here is gone
And I want to get free
Talk to me
I can fear you falling

I know it's out there
...
I can feel you falling
I know it's out there
...
Somehow here is gone
I know it's out there
...
Somehow here is gone

***
John Rzeznik of the incomparable Goo Goo Dolls, will always have my love.

Just the Way You Are Perfectly Imperfect

"Sorry, but this is the best I could do," Jake said wryly, holding a cup of punch on each hand. Allyson smiled her tenth smile at him. He'd counted. "Are you cold?"

"No," Al replied as she received the cup from him.

"You are," he said. He put down his cup and shrugged out of his coat.

"There's no need—" Al started to reply.

"Take it," Jake insisted. He took her hand, placed the coat, and walked away to the other side of the terrace. "Look, I'm going to stay right here," he said in a playful tone as he leaned on a pillar. "I won't bite."

"It's a beautiful night," Allyson said, studying him from twenty feet away. It had been ages since she'd last seen Christopher. When Jake returned to their table for a second time, it didn't take long for Chris to figure things out and he had jokingly reprimanded her for making him feel unwanted. How could you let my sister cajole me into going with you when you really intended to dump the prince for the frog?

She didn't know how long she had danced with Jake, didn't even think she'd listened to anything but the steady beating of his heart. If Lou could see her now, she'd be bursting with laughter. Lou had told her not to avoid Jake. But dancing? Now that was way more than expected. But for tonight, Al didn't care.

"Sam's been looking for you," he said in a deep voice.

"Really?"

"Yeah. Thought someone had kidnapped you to keep you away from us," he replied in an amused voice. "She misses you." I miss you.

"I miss her, too," Allyson replied sincerely.

Do you miss me, Beauty?

"Suddenly, she wants a big motorcycle so she could go around town and see everyone else," he said with a smile. "I don't want to disappoint her."

"You couldn't," Al replied without thinking.

He was immensely pleased with her remark but knew that it was far from the truth. "Oh, I have. Many times." He stayed silent for awhile then broke it with a loaded statement. "Just like I've disappointed you. Many times."

"Jake—"

"I like it when you say my name. Do you know that?" he paused, seeing her color with his remark. "And when you blush like that and I could see it from twenty feet? Very appealing."

"Are you teasing me?" Allyson asked laughingly.

He straightened from his leaning position and started walking around the terrace. It was a long time before either of them spoke. "When you walked out of the theater that day, I thought you'd never talk to me again. I was so happy because I'd finally made my peace with my father but it was hard seeing you leave without word." He smiled sadly, and looked like he was reliving the memory. "He was a good father, Al, before…before she left us. Now he's trying. And doing good, I might add. But sometimes, I'm still scared," he said hoarsely. "still scared."

He stopped and leaned lightly on a pillar, seemingly trying to control himself. When he looked up, his eyes were mysteriously shiny. "I'm sorry, Ally."

"Jake," she finally spoke, desperate to keep the light-hearted they'd had all evening. "We've already done this. I've forgiven you. It's over."

"No!" he snapped out, now clutching at the railings. "I hurt you so much. No matter how many times I want to forget about it, I couldn't erase that image of you looking so terribly hurt. I ignored you and treated you horribly. That day," he stopped with a catch in his voice. "That day I was so crazed trying to avoid you that something in me just snapped. I thought she was you. You have to believe me, Allie. I know I ignored you on purpose, I pushed you away. But I would never go that far. I wouldn't do that to you. You have to believe me," he said, almost pleading. "I pushed you away because I knew it would hurt you if you stayed with me. I thought I was protecting you. But I ended up hurting you anyway. Now that I think about it, I think I did it for selfish reasons. I was…afraid that you'd see me for who I was. Trouble with a capital T."

She should have stayed where she was, but she found herself walking towards him, needing to comfort him. "Don't do this to yourself," she whispered achingly, her hands caressing his arm lightly.

Her touch was bittersweet, lulling him temporarily to hopeless illusions. Then he covered her hands with his and slowly turned towards her, almost ready to take the plunge. He watched the expressions dancing across her face. Surprise, anxiety, anticipation. Forgiveness. "How could I have hurt you" he asked tenderly, as he brushed his knuckles brightly over her cheeks, his heart raring to make the final leap, "when I love you so much?"

He silenced any response from her as he covered her lips with his. He felt her go rigid in his arms and knew she was trying to fight him with indifference. He moved his mouth over hers but she remained impassive. Lifting his head to look at her startled emerald eyes, he begged her with his eyes. Please. He kissed her with aching tenderness, pleaded with her to return the kiss. And when she finally gave in to the kiss, he lost all control as he tightened his arms around her, cupping her head to draw her even closer to him. He was like a soldier who had gone on days without water. He couldn't seem to get enough of her. She was sweet and so perfect in his arms.

At the back of her mind, Allyson knew it was wrong. But she could resist him no longer. Not when he was kissing her with such need, as if he couldn't go on without her. So she felt herself giving back, asking him to take what he would, her heart treacherously going against her mind. Suddenly, his words rushed over her and they chilled her like ice. How could I have hurt you…when I love you so much? She broke away abruptly from the kiss, a pounding headache threatening to overwhelm her.

"No," she whispered hoarsely.

"Yes!" he insisted, desperate to keep her in his arms. He was about to bend down for another kiss when she pushed him away hard.

"How could you do this?" she asked, begged in a confused tone. "I can't believe this," she said in disbelief, as she turned away from him. Finding her purse at the nearby chair, she left the terrace without another word, desperate to get as far away from him as possible.

He didn't go after her, knowing it would be fruitless. He had one shot. And he had missed. He sat on the step, stared blankly ahead, and felt like crying.

***

credits to: dream6-20 at http://www.fictionpress.com/s/2028013/24/Just_the_Way_You_Are_Perfectly_Imperfect

Saturday, 22 May 2010

I Do Not Love You


I love you without knowing how, or when, or from where.

I love you straightforwardly, without complexities or pride;

so I love you because I know no other way

than this: where I do not exist, nor you,

so close that your hand on my chest is my hand,

so close that your eyes close as I fall asleep.


*My favourite poem of all time, by Pablo Neruda.

Sunday, 16 May 2010

Once Upon A Time, There Was The Perfect Man

He paused. “I am not in the habit, Daphne, of wearing my heart on my sleeve, if you’ll pardon me. If the reasons I have given for wanting you have not rung true, as you say, that’s probably because what I feel for you scares the hell out of me.”

She did her best to absorb his words in wonder. “You, scared?” she murmured, still in doubt. He never seemed afraid of anything.

He nodded slowly. “I’ve been trying to give myself sane, logical reasons for this...obsession you’ve cast over me. Trying to tell myself it’s just a simple, practical match, for the sake of producing heirs. Nothing to be alarmed about. But that’s not the truth of how I feel.”

“How do you feel, Max?” she prompted in a soft tone.

For a long moment, he considered, as though peering gingerly into himself. “Lost. Daphne...this is not an easy feeling for a man who always knows exactly where he’s going.”

She felt tears beginning to sting the backs of her eyelids. She wanted to take him into her arms. He was such an expert at so many things, and so hopeless when it came to affairs of the heart. Clearly, he needed her.

“I’ve never experienced anything like this, and I’ve experienced a lot of things, believe me. But never this. Never...anything like you. You’re the first thing on my mind when I wake up in the morning and the last thought in my head before I fall asleep. Don’t misunderstand me, the lost feeling isn’t all misery,” he amended. “There is also, when I’m with you, a wonderful joy. If I fought for you too hard, Daphne, it’s only because I didn’t want to lose this, or lose you. I’ve never had this before, you see. You’ve opened up new doors in me that...Oh, God, I sound absolutely ridiculous.” He shut his eyes and turned away. “Would you just shoot me now and be done with it, please?”

“I don’t want to shoot you.” The tears she had been fighting now rose to blur her vision. “And I don’t think you sound ridiculous at all.” She sat down weakly on a nearby hay bale since her legs felt too shaky to hold her up much longer.

“Well.” Max opened his eyes and stood with his hands propped on his waist, his head down. “For some reason,” he said in a low and heavy tone, “I thought you were feeling the same way. But then last night, you told me we were through. I did not understand. I still don’t.” His shoulders lifted in a weary shrug. “I don’t know what else to do or say to win you. I’ve tried everything I know, and obviously, nothing’s worked. Last night, when I saw I was really losing you, I guess I lost control.”

“Well, Max, yes, but I saw how Albert kept trying to provoke you,” she offered cautiously. “We both know you could have done a great deal worse to all three of the Carew brothers, if you had wanted to.”

He shrugged, avoiding her gaze. “I promised you once that I’d never permit any man to insult you in my presence, which he did. All the same, I should have dealt with him later, not in front of you. Eh, enough of all this,” he declared, as though waving off the dangerous emotions that filled the air between them. “I am not making excuses. You were right to be rid of me, and that’s the end of it. I just wanted to say, mainly, that I am sorry for all the different ways I’ve tried...to pressure you into doing what I want. What matters is what you want.”

He took a deep breath and forged on bravely. “Whatever you decide for me, I will accept. If you just want a friend, that is what I’ll be. If you never want to speak to me again, I’ll stay away. If all you want is an attack dog to deal with any fool who might ever bother you, just let me know. I will respect your wishes no matter what you choose. Your happiness, Miss Starling, is my only remaining concern.”

***Full credits to Gaelen Foley in "My Wicked Marquess".

Sunday, 9 May 2010

Let You Go

And if somebody tells you
You're not enough
If somebody tells you
You're not good enough
If somebody tells you this,
It isn't just
Just, I'm burning out
And I'm calling all the bluffs

I don't wanna let you go
But the weather changes like your mind
And I don't wanna give you up
But I might this time
Hope the new grass you seek
Is greener than the greenest green
And if it's not, or if it is
I just hope you'll be
At peace


*by: the talented Bryce Avary who fronts and mans The Rocket Summer

Friday, 7 May 2010

You Have My Attention

Quiet now, your voice seems miles away
Yet somehow, I hear your song resound
A little bit softer each day
And from my tired heart, a little bit farther away

You have my attention
Like you’ve had all the while
Since that first day when you made my heart smile
With loving eyes and tired sighs that flow
You have my attention
Like a shout through an empty sanctuary
Speak but a whisper
by: Copeland


I can't wait to watch this band tomorrow. They ROCK and I can't believe they are breaking up. It's a sad tragedy - they have made a legacy.

Wednesday, 28 April 2010

The Most Wonderful

Ally woke up to the quiet sound of Trent saying her name. She opened her eyes to find him looking down at her, silhouetted by the sunlight pouring into the room.

"Morning, beautiful," he said, kissing her forehead softly.

"What time is it?"

"8:30."

Ally groaned and squeezed her eyes closed. "Why'd you wake me up?"

"Because," he began, grabbing her arms and pulling her up. "I want to show you something."

"Can't it wait?"

"Nope."

Ally let out a whimper and slid out of bed, wrapping a blanket tightly around herself. She looked up at Trent to find him standing right in front of her. With a smile, he put a hand over her eyes.

"I couldn't let you miss this," Trent whispered into her ear, slowly walking her across the room.

Ally tensed up as they stepped outside and the cold air kissed her bare shoulders. The wood beneath her bare feet was also cold, leading her to believe that they were on a dock or balcony of some sort.

"You're going to love this," Trent said, stopping her. He put an arm around her and held her tightly against him. "Ready?" But he didn't wait for her to answer; he just pulled his hand away from her eyes.

Ally's breath stilled in her lungs when she saw the gorgeous sight in front of her. It was a gorgeous lake – the color of aquamarine – that was surrounded by pine trees and snowy mountains. "Wow," Ally breathed. "It's... beautiful."

Trent rested his chin on her shoulder and stared out at the lake with her. "We came here a lot when I was a kid."

"Where are we?"

"Lake Tahoe."

"Is this the house he left you?"

"Uh huh."

"It's so beautiful here."

"I know. It's strangely addicting too."

Ally kissed him on the cheek. "I wouldn't mind coming back."

"If that's what you want then that's what we'll do."

"I love that you do what I say," Ally giggled quietly.

"I aim to please."


full credits to Vanderhall in "The Sophomore Season"

It's All Too Familiar

Trent rolled his eyes, deciding that nothing he said would make any difference. He knew from far too much experience that David was nothing more than a parasite; he would simply feed off your energy until he'd run you into the ground. Trent would not let the stupid jackass win.
by: Vanderhall in "The Sophomore Season"
I can definitely relate to that.

Wednesday, 21 April 2010

If I am

"If I am" by Nine Days is my favourite song for all time. I love John Hampson's vocals...the way he weaves his lyrics...so flawless. I can't ever get tired of hearing this song.

My brother asked me one day while we were listening to it in the car - how I'd feel if a guy sang it to me. Right now I can't remember what I said in answer exactly, but I know that it's the message behind the song that'd truly pull me in.

I post the lyrics below so you'll understand why.

So you're standin on the ledge
It looks like you might fall
Its so far down
Or maybe you were thinkin about jumpin
Now you could have it all
If you learned a little patience
For though I cannot fly
I'm not content to crawl
So give me a little credit
Have in me a little faith
I wanna be with you forever
If tomorrow's not too late
But its always too late when you got nothin
So you say
You should never let the sun set on tomorrow
Before the sun rises today

If I am

Another waste of everything you dreamed of
I will let you down
If I am
Only here to watch you as you suffer
I will let you down

So you're walkin on the edge

And you wait your turn to fall
But you're so far gone
That you don't see the hands upheld to catch you
And you could find the fault
In the heart that you've been handed
For though you cannot fly
You're not content to crawl
And its always too late when you got nothin
So you say
But we should never let the sun set on tomorrow
Before the sun rises

If I am

Another waste of everything you hoped for
I will let you down
If I am
Only here to watch you as you suffer
I will let you down

So you're standin on the ledge

It looks like you might fall

If I am

Another waste of everything you dreamed of
I will let you down
If I am
Only here to watch you as you suffer
I will let you down

The answers we find

Are never what we had in mind
So we make it up as we go along
You don't talk of dreams
Well I won't mention tomorrow
And we won't make those promises that we can't keep

I will never leave you

I will not let you down
I will never leave you
I will not let you down

Keep Away the Bagpipes

He bared his teeth in a scowl. How dare the woman say something so ludicrous about herself. "You are perfect just the way you are and anyone who says otherwise needs to swing from a pike. I am simply unsure this neighbor of yours can appreciate you."

Her shoulders relaxed, and the lines around her lips softened. "You've never even met him, so how do you know what he's like?"

"I need not meet him to know he is a coward. Why has he not beaten down your door and demanded that I leave?"

She rolled her eyes. "He doesn't know you're here."

"Such a thing would not stop me from claiming what is mine."

"That's the most illogical thing I have ever heard. Besides, this is America. We do not beat down doors."

"Over the centuries I have learned that origins matter naught. If a man has not the bravery to fight for his woman, then he is no man at all."

*full credits to Gena Showalter

Monday, 19 April 2010

Kill Off the Discolights

*photo credits to: *elderarc
Beyond the door, he heard the shuffle of feet, the angry growls of men. Gray stalked over to Jewel, who still sat in bed, her features devoid of any emotion. He bent down in front of her and reached inside his bag, where he still kept the armband he'd bought for her.
"This is for you," he said.

"Me?" Her eyes grew wide and watery, and her lips trembled as he slid the band up her arm. "You bought it for me in the city? Why?"

The horn sounded yet again.

"Because you wanted it," he rushed out, "and I knew it would look lovely on you." He reached up and swept her hair off her shoulders, then anchored the gold band in place. It gleamed bright, the sapphire as enchanting as her eyes. "And because you are the love of my life."

*** Excerpted from Gena Showalter's "Jewel of Atlantis".

If a guy did that for me - I'd die happy.

Sunday, 18 April 2010

THE quote for the Sappy-Hearted

"The one person who could break my heart is the only one who should have it." - Taylor Donovan in Julie James' 'Just The Sexiest Man Alive'.

Thursday, 15 April 2010

A Scene that Pulls You In and Sink Right In

I recently discovered a new writer - Julie James. She's written less than five books, but the ones published are supposedly gems. I haven't read all obviously, but one bears testimony to this opinion.

I want to write a scene like this. Primarily, because it proves that damn it, I am spot on when it comes to the issues raised below.

J.D. paused. Then he slowly looked over and stared Tyler straight in the eyes. He didn’t say a word. He didn’t have to.

“For how long?” Tyler asked, shocked.


J.D. considered this. “About eight years now, I guess.”


“You’re kidding me.” Tyler’s expression was one of disbelief. “All this time.”


“Pretty much, yes.”


“This whole entire time.”


“What do you need to know, like, the exact moment?” J.D. asked.


“Well, now that you mentioned it, I am kind of curious. Wait, let me guess—from the first moment you met her,” Tyler joked.


“Actually, no, smart-ass.” J.D. paused. “It was the second moment.” I guess you’ll have to find out for yourself, J. D. Jameson . Yep—he had spent years trying to deny it, even to himself, but that sly little look of hers had pretty much done him in for good.


Tyler laughed. “No offense, J.D., but isn’t that a little deep for you?”


“I’ve managed to remain remarkably shallow in pretty much all other aspects of my life. I figure it balances out.”

...

Tyler shifted in his seat. “Have you considered . . .” he trailed off, uncertain whether he should even suggest such an idea.

“Yes.” J.D. had already considered the possibility, even though he couldn’t say it out loud. He raked his fingers through his hair. “I, uh . . . whew.” He took a deep breath. “I really don’t know that I could do that. Maybe if I knew it would make a difference. Maybe.”

“There’s no way of knowing that, J.D.”

“I’ve grasped that, yes.”

Tyler grabbed J.D.’s shoulder. “I wish there was more I could say, buddy. But I think you’re just going to have to ask yourself what you’re willing to risk for a chance to be with her. That’s really what it boils down to, isn’t it?”

J.D. took a moment to consider his friend’s words. “It’s not just the job, you know,” he finally said. “I’d like to at least walk out of there tomorrow with my pride. I’m not exactly good at putting myself out there.”

Tyler laughed. “You don’t say?”

“Do you have any advice that’s actually constructive? Don’t get me wrong, I enjoy trite commentary and rhetorical questions as much as the next guy, but can you at least throw me a bone with something helpful?”

Tyler turned serious. “Listen—I can’t give you any advice on what to do about the thing you don’t know if you can do. Only you can make that decision. But in terms of whether you should put yourself out there, I’ll tell you this: If I was Payton, and I had overheard what you’d said to Ben, I wouldn’t even have bothered to give you the opportunity to explain yourself. I would’ve pulled out my white glove and slapped you across the face and walked away.”

“I just want to clarify—in this scenario, are we also in a Bugs Bunny cartoon?”

“It’s a metaphor, J.D.”

“I would guess so.”

“Fine, I’ll be more blunt: You don’t like to put yourself out there? Well, too bad. Fuck your pride—it’s the only chance you’ve got.”

“You’re asking me to sacrifice the two things that have probably most defined my entire adult life,” J.D. said.

“I’m not asking you to do anything,” Tyler told him. “I’m just telling you what I think has to happen if you want any chance of making things work with her.”

J.D. nodded and fell quiet. There really wasn’t anything else to say on the subject. Like it or not, he knew Tyler was right.

***credits to Julie James, "Practice Makes Perfect".